Joyce Fleming DA (Interior Design)
Joyce Fleming is an active Interior Design practitioner and Interior Designer educator on the BSc (Hons) Degree course which is run jointly by
Joyce trained at Duncan of Jordanstone College of Art and Design, Dundee. She worked as Interior Designer within Edinburgh City Architects Department where she contributed to a variety of prestigious capital projects including Edinburgh City Arts Centre, and the refurbishment of the Assembly Rooms and the Lyceum Theatre. She managed the redisplay of several of the cities’ museum collections and was heavily involved with the restoration of a number of the historic interiors under the care of the Local Authority.
Joyce Fleming Design was set up in 1985. The practice concentrates on bespoke small scale commercial interiors, and the occasional residential interior design. Past clients include:
Joyce worked with BBC Education and Glasgow Telecolleges Network to produce the interactive learning package – ‘Wall To Wall’. She organises an annual European Study Tour and Degree Show exhibitions for her students. Her paper outlining the LTAS of the course was published in Thinking Inside the Box, Gigli, J., Hay, F., Hollis, E., Milligan, A., Milton, A., Plunkett, D., Middlesex University Press (2007). Over the past year she has been the representative of
Frazer Macdonald Hay BA (Hons) Int. Architecture; MCSD, PgC TLH
Frazer is the Programme Leader for Interior Architecture at Napier University in Edinburgh. During the early stages of his lecturing career he worked for a variety of creative practices, including Wallpaper Magazine, Richard Murphy Architects, Oliver Chapman Architects, TPS Consultants, RMJM EMBT Architects and Hubert Jan Henket Architects (the latter based in the Netherlands). During this time he also worked on a range of small and large scale projects, from small extensions in Edinburgh to spending two years as part of the Design team for the new Scottish Parliament Building.
His outputs include:
Frazer is a member of the Chartered Society of Designers, the Cross Party Group on Architecture and the Built Environment, and the Scottish Ecological Design Association. He is also strongly involved in the Interiors Forum Scotland association.
Edward Hollis
Edward Hollis studied Architecture at Cambridge and Edinburgh Universities. For the subsequent six years he practiced as an Architect. He worked first in Sri Lanka, in the practice of Geofrey Bawa, at that time the 'grand old man' of Sri Lankan Architecture, famous for his garden of follies and ruins at Lunuganga; and then in the practice of Richard Murphy, well known for his radical alterations to ancient and historic buildings in and around Edinburgh.
In 1999, Edward began lecturing in Interior Architecture at Napier University, Edinburgh, working with students both in the design studio, and in more theoretical disciplines. In 2004, he moved to Edinburgh College of Art, where he nows runs the undergraduate and postgraduate programmes in Interior Design.
Working with follies and ruins in Sri Lanka, with modern interventions to historic buildings in Scotland, and in the notoriously slippery discipline of Interiors, has focussed Edward's research and theoretical thinking on the notion of time, story, and building.
Edward Hollis is currently working on a number of research projects: 'Form Follows Fiction', an exploration of the mediation of design icons through storytelling; the 'Wondrous Flitting of the Holy House', a collection of mythical stories about iconic buildings that have changed; and 'the Amber Room', a gazetteer of lost interiors.
Andy Milligan
Andy Milligan is a researcher and interior design educator. He worked for award winning practice Nicoll Russell Studios and held a brief commercial post with the RIAS, the Royal Incorporation for Architects in
Andy is the Programme Director for the BDes Hons Interior & Environmental Design programme at Duncan of Jordanstone College of Art and Design, University of Dundee. He contributed to
Milligan, A., & O'Connor, H. (2008), Intermediality and the Architectural Drawing, at the Intermediality Workshop 08 at the Rijksuniversiteit Groningen,
Milligan, A., Nixon, P., McIntosh, L. and Baikie, K., (2008), Drawing Sounds, 10th E&PDE; Engineering & Product Design Education International Conference, New Perspectives on Design Education at the Universitat Politècnica de Catalunya
Milligan, A., Hollis, E., & Plunkett, D., Hay, F., and Gigli, J. (2007), Reflections on Thinking Inside the Box, published in the IDEA Journal, Interior Designer / Interior Architect Educators Association of Australia and New Zealand. http://www.idea-edu.com/abstracts.htm
Milligan, A. & Mohr, C. (2008), Observations on Proxy Designer and Pseudo Clients, IDEC the Interior Design Educators Council USA, Reason for Being Conference, Montreal. http://www.idec.org/events/2008.php
Hollis, E., Milligan, A., Milton, A., Plunkett, D., Hay, F, and Gigli, J. (2007), Thinking Inside the Box: An Interior Design Theory Reader for the 21st Century, eds. E. Hollis, A. Milligan, A. Milton & D. Plunkett, Middlesex University Press, ISBN-10: 1904750222 and ISBN-13: 978-1904750222. http://www.mupress.co.uk/products.asp
Milligan, A. O'Connor, H. & Ross, C. (2007). Engineering Narratives, 9th E&PDE; Engineering & Product Design Education International Conference, Shaping the Future at
O'Connor, H. & Milligan, A. (2007), The House of an Architect, the Telling Stories: Objects as Narrative Conference,
Milligan, A. & Mohr, C. (2007), Exploring Proxy Designer and Pseudo Client Relationships through Virtual, Physical and Textual Design, a commissioned online case study in Curriculum Internationalisation and E-Learning, for CEBE, the Centre for Education in the Built Environment with the Higher Education Academy, http://www.cebe.heacademy.ac.uk/learning/casestudies/list.php
Milligan, A., (2007), Scholarship Through Making?, Enhancement of First Year Art & Design Higher Education Symposium, Edinburgh College of Art and Glasgow School of Art.
Milligan, A.& Rogers, J. 2006, Experience Design and Artefacts after the Fact, in Co-Design: International Journal of Co-Creation in Design and the Arts, Special Edition: Crossing Design Boundaries, Vol. 2, No. 2,
Milligan, A. (2006), Dysfunction, Deconstruction & Reconstruction: Exploring Sustainable Thinking through Design Making, 4th Engineering & Product Design Education International Conference, Educating Designers for a Global Context, at Salzburg University of Applied Sciences http://epde06.fh-salzburg.ac.at/
Milligan, A. & Nelson, J. (2005), Exploring Sustainability through Experimental Re-making, Education for Sustainable Development: Graduates as Global Citizens Conference, http://www.bournemouth.ac.uk/about/the_global_dimension/global_perspectives/citizens_conference_2005.html
Milligan, A. (2004), Transforming Boundaries, Crossing Horizons, The Imaginative Curriculum: Creativity: Taught & Caught Conference, University of Strathclyde. http://www.alt.ac.uk/news_detail.php?nid=96
Milligan, A. (2004), Design for Deconstruction, SeDa, the Scottish Ecological Design Association and SEPA, the Scottish Environmental Protection Agency , Design for Deconstruction Conference, at the CCA, the Centre for Contemporary Arts, Glasgow. http://www.seda2.org/past/pastevents.htm
Milligan, A. (2004) Deconstructing, Reconstructing & Reinventing Waste, SEDA the Scottish Ecological Design Association Magazine, Volume 2, Issue 1; Feb 2004
Milligan, A. (1999), Better by Design: a Practical Guide to Day Centre Design, steering committee the National Day Centres Project and National Homeless Alliance (Formerly CHAR), ISBN 090 695 1895
Milligan, A., Ashcroft, R., Paul, J., Cruikshank, G., Wishart. C., & Collins. B., (1998), Threshold Installation, at RIAS, The Royal Incorporation of Architects in
Drew Plunkett BSc MA FRSA
Drew Plunkett has been Head of the Department of Interior Design at Glasgow School of Art since 1985. He is also Coordinator for the International Drawing Research Institute and a Visiting Professor in the School of Architecture at the Central Academy of Fine Art in Beijing. He has previously taught at the University of Ulster and SGIHE in Cardiff and has been a visiting lecturer at the London Institute, University of Westminster and the New York School of Interior Design. He was elected a Fellow of the Royal Society of Arts in 1996.
He studied architecture at Queen's University Belfast followed by a Masters degree in Environmental Design at the Royal College of London. Between 1970-1979 Drew practised as an architect and interior designer based in Belfast, Oxford and London. His projects have been exhibited in Athens, Belfast, Brussels, Glasgow, London and Philadelphia and published in RIBA Journal, Scottish Homes and Interiors and the Times.
Since 1981 he has practised as an interior designer based in London and Glasgow. He primarily designs restaurants, exhibitions and domestic interiors and his current major job is a restaurant at Dubai Marina. Previous commissions include the British Airports Authority (with colleague Patrick Macklin) to establish a Scottish identity in the international arrival area.
Drew is also active as an exhibitor, curator and critical writer. His research areas of expertise include drawing and Charles Rennie Mackintosh. He is interested in the role of drawing in the design process and is presently Glasgow Co-ordinator of the International Drawing Research Institute - a collaborative forum of enquiry between the Glasgow School of Art, University of New South Wales, Sydney and the Central Academy of Fine Art, Beijing. Under the umbrella of the Institute, he has curated and contributed to an exhibition of design drawings, "Thinking Through Drawing", at the College of Fine Art in Sydney and also edited the accompanying catalogue. He co-ordinated and chaired the Colloquium on Drawing which took place at the GSA in February 2002.
His critical writings include a chapter for the book, "Four Studies on Charles Rennie Mackintosh", published by the New York School of Interior Design, and articles /reviews for Designer's Journal, Architects Journal, Blueprint, Magazine of the Mackintosh Society and Building Design.